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	<title>Felipe Cardeña &#187; BIOGRAPHY</title>
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		<title>BIOGRAPHY</title>
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		<pubDate>Thu, 29 May 2014 10:40:47 +0000</pubDate>
		<dc:creator><![CDATA[Felipe Cardena]]></dc:creator>
				<category><![CDATA[BIOGRAPHY]]></category>

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		<description><![CDATA[Felipe Cardeña was born in Balaguer (Spain) in 1979. A street mime well as an artist, he lived as an artist &#8220;sans papier&#8221; in many European and extraeuropean countries, representing, as a performer, scenes from classical and Renaissance iconography for tourists and ordinary people. He exhibited, among other, in Milan, Rome, New York, London, Rio [&#8230;]]]></description>
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<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">Felipe Cardeña was born in Balaguer (Spain) in 1979.</span><br />
<span style="font-size: medium; font-family: arial,helvetica,sans-serif;"> A street mime well as an artist, he lived as an artist &#8220;sans papier&#8221; in many European and extraeuropean countries, representing, as a performer, scenes from classical and Renaissance iconography for tourists and ordinary people.</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">He exhibited, among other, in Milan, Rome, New York, London, Rio de Janeiro, L&#8217;Havana, and other countries around the world.<br />
At the end of 2007, he launched the project <i>Power Flower</i>, based on the idea of &#8220;surprise&#8221; and &#8220;wonder&#8221;, with large &#8211; sometimes monumental &#8211; and colorful compositions and collages overflowing with crazy shapes, creating an eccentric and exaggerated effect, based mainly on floral patterns, that touch the themes of the sacred, of different cultural identities, of the contamination of human nature and natural forms.</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">Artist &#8220;stateless&#8221; par excellence, in 2011 he was invited to exhibit at the 54th. Venice Biennale in two different national pavilions (the Italian Pavilion and the Pavilion of the Republic of Cuba). In 2012 he was invited to participate in the great collective dedicated to the theme of kitsch curated by Gillo Dorfles, <i>Il kitsch oggi</i>, at the Palazzo della Triennale in Milan, in which is retraced the theme of kitsch and its revisions and interpretations in the works of great artists historical and contemporary.</span><br />
<span style="font-size: medium; font-family: arial,helvetica,sans-serif;"> In 2013 he exhibited at the 55th. Venice Biennale, in the Syrian Pavilion, featuring an installation of works of different sizes called <i>Mitologica.</i> In 2014 he was invited to participate in the social project, sponsored by the Brazilian Ministry of Culture, <i>Deu Na Telha</i>, in the favela Morro do Alemão, in Rio de Janeiro, where he made over the roofs of the houses a large mural, to make known and promote the art among young people in local communities.</span></p>
<p style="text-align: justify;">
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;"><i>SELECTED SHOWS</i><br />
</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2014<br />
<i>POP UP &#8211; Revolution!,</i> curated by Achille Bonito Oliva, Caserma XXIV Maggio, Milan and MdM Museum, Porto Cervo<br />
<i>Superheroes 2.0,</i> Villa Bertelli, Forte dei Marmi<br />
<i>Deu Na Telha</i>, Morro do Alemão project, curated by Ricardo Duarte, Rio de Janeiro<br />
<i>Hungry for art &#8211; Food Right Now</i>, CESVI, street art project, curated by Christian Gancitano, Superstudio Più, Milan</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2013<br />
55. International Art Exhibition. La Biennale di Venezia, <i>Mitologica</i>, The Syrian Arab Republic Pavilion, curated by Duccio Trombadori<br />
<i>Road Maps</i>, Officine Creative dell&#8217;Ansaldo, Milan</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2012<br />
<i>Il kitsch oggi,</i> curated by Gillo Dorfles, Palazzo della Triennale, Milan<br />
<i>Poesie della fine del mondo, </i>curated by Philippe Daverio, First Gallery, Rome and<br />
Superstudio Più, Milan<br />
<i>Apokalips</i>, curated by Giacomo Maria Prati, Palazzo della Regione, Milan<br />
<i>MISIAD</i>, curated by Alessandro Mendini, Cattedrale della Fabbrica del Vapore, Milan<br />
<i>XXS &#8211; extraextrasmall</i>, Visconti Fine Art, Ljubljana<br />
<i>Vivendo no Vermelho</i>, curated by Ricardo Duarte, Graphos: Brasil, Copacabana, Rio de Janeiro</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2011<br />
54. International Art Exhibition. La Biennale di Venezia, <i>L&#8217;arte non è cosa nostra</i>, Padiglione Italia, curated by Vittorio Sgarbi<br />
54. International Art Exhibition. La Biennale di Venezia, <i>Cuba mon amour</i>, Padiglione della Repubblica di Cuba, curated by Duccio Trombadori<br />
<i>The First Italian Show</i>, curated by Luca Beatrice, First Gallery, Rome</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2010<br />
<i>Ritratti italiani,</i> curated by Vittorio Sgarbi, Galleria d&#8217;Arte Moderna, Cento (Ferrara) and Fondazione Durini, Milan<br />
<i>Polemically Small</i>, curated by Edward Lucie-Smith, Charlie Smith Gallery, London<br />
<i>Flowers</i>, curated by Fabio Migliorati, Superstudio Più, Milan; San Domenico Museum, Forlì; Palazzo Casali, Cortona</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2009<br />
<i>The Black Dahlia</i>, curated by Chiara Canali, in <i>Take Off</i>, Fabbrica Borroni, Bollate (Milan) and MystFest, Festival del giallo e del Mistero, Cattolica<br />
<i>Arte Mas </i><i>200</i><i>9</i>, curated by Ana Pedroso, <i>Festival Internacional de arte y Literatura joven</i>, Habana (Cuba)<br />
<i>Beauty Farm</i>, Fondazione Durini, Milan<br />
<i>Another break in the wall</i>, Wannabee Gallery, Milan<br />
<i>Heart</i>, Onishi Gallery, New York and Asia Kay Art Projects Gallery, Chicago<br />
<i>Abraham Lincoln 1809-2009, tra storia e mito,</i> Triennale Bovisa, Milan</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2008<br />
<i>Rumors</i>, ex Arsenale Borgo Dora, Turin<br />
<i>Scala Mercalli</i> <i>– Il terremoto creativo della Street Art Italiana</i>, curated by Gianluca Marziani, Auditorium Parco della Musica, Rome</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2007<br />
<i>Vade Retro – Arte e omosessualità</i>, curated by Vittorio Sgarbi and Eugenio Viola, Palazzo della Ragione, Milan<br />
<i>Street Art Sweet Art</i>, curated by Alessandro Riva, PAC &#8211; Padiglione d&#8217;Arte Contemporanea, Milan</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: arial,helvetica,sans-serif;">2005<br />
<i>Miracolo a Milano</i>, curated by Alessandro Riva, Palazzo della Ragione, Milan</span></p>
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